Angklung
Angklung
The angklung (Sundanese: ᮃᮀᮊᮣᮥᮀ) is a musical instrument from the Sundanese in Indonesia that is made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to produce a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an angklung ensemble is typically responsible for just one pitch, sounding their individual angklung at the appropriate times to produce complete melodies.
The angklung originated in what is now West Java and Banten provinces in Indonesia, and has been played by the Sundanese for many centuries. The angklung and its music have become an important part of the cultural identity of Sundanese communities. Playing the angklung as an orchestra requires cooperation and coordination, and is believed to promote the values of teamwork, mutual respect and social harmony.
History
The word angklung may have originated from Sundanese angkleung-angkleungan, suggesting the movement of the angklung player and the onomatopoeic klung sound that comes from the instrument.
In 1938, Daeng Soetigna (Sutigna), from Bandung, created an angklung that is based on the diatonic scale instead of the traditional pélog or sléndro scales. Since then, the angklung has returned to popularity and is used for education and entertainment, and may even accompany Western instruments in an orchestra.
One of the first performances of angklung in an orchestra was in 1955 during the Bandung Conference. In 1966 Udjo Ngalagena, a student of Daeng Soetigna, opened his Saung Angklung (“House of Angklung”) as a centre for its preservation and development.
The creation and existence of angklung is something that is very important in the culture of the Indonesian people, especially the Sundanese people. At first, the function and manufacture of angklung were intended for certain events or ceremonies related to traditional ceremonies and rituals.
Now, angklung has developed into traditional and modern musical instruments that are in demand not only by the people of Indonesia but also the world.
On 18 November 2010, UNESCO included the Indonesian angklung in the Representative List of the Intangible Cultural Heritage of Humanity, and encouraged the Indonesian people and the Indonesian government to safeguard, transmit, promote performances and to encourage the craftsmanship of the angklung. Varieties
Traditional Angklung
Angklung kanekes or Angklung buhun or Angklung baduy is an ancient angklung originating from the Baduy in Lebak, the Banten province of Indonesia. This angklung is used to accompany the ritual of planting rice on the fields passed down by their ancestors. Angklung kanekes are only made by the Baduy Dalam tribe who still maintain the pure traditions of their ancestors.
Angklung dogdog lojor is an angklung that originates from the Dogdog Lojor culture found in the Kasepuhan Pancer Pangawinan community or Kesatuan Banten Kidul scattered around Mount Halimun. Angklung dogdog lojor is used to accompany the tradition of farming, circumcision, and marriage.
Angklung gabrag is an angklung originating from Cipinang village, Cigudeg, Bogor, West Java. This angklung is very old and is used to honor the goddess of rice, Dewi Sri. Angklung is played during melak pare (rice planting), ngunjal pare (transporting rice), and ngadiukeun (storage) in the leuit (barn).
Angklung badeng is an angklung originating from Garut, West Java. Initially, this angklung was used for the ritual of planting rice, but now it has shifted to be used to accompany the preaching of Islam. It takes nine angklung to complete the da’wah accompaniment process consisting of two angklung roel, one angklung kecer, four angklung indung, two angklung anak, two angklung dogdogs, and two gembyung.
Angklung bungko is an angklung that originates in Bungko village, Cirebon, West Java. Angklung Bungko is played with other musical instruments such as kendang, tutukan, klenong and gongs. In ancient times, angklung bungko was a musical accompaniment to fights between villagers.
Angklung badud is a type of angklung that is used for performing arts at parades or carnivals. The art of badud angklung was born and preserved in Parakanhonje Village, Indihiang District, Tasikmalaya City, West Java.
Angklung buncis is an angklung used for entertainment, such as the angklung in the Baros area, Arjasari, Bandung, West Java.
Angklung calung or calung is a prototype musical instrument made of bamboo. In contrast to the angklung which is played by shaking, the calung is played by hitting the rods (wilahan, bilah) of sections of bamboo tubes arranged according to titi laras (pentatonic scales), da-mi-na-ti-la.
Angklung Reog is a musical instrument to accompany the Reog Ponorogo Dance in East Java. Angklung Reog has a characteristic in terms of a very loud sound, has two tones and an attractive curved shape of rattan (unlike the usual angklung in the form of a cube) decorated with beautiful colored fringed threads.
Angklung Reog Gong Gumbeng is a type of Angklung Reog from Sambit, Ponorogo. Shaped like Angklung Reyog but arranged from small to the largest angklung with various tones, Gong Gumbeng Angklung is the first and oldest type of pitched angklung. A set of angklung Gong Gumbeng that is more than 250 years old is now stored in the Sri Baduga Bandung Museum.
Angklung Bali is the Balinese angklung called Rindik has a distinctive Balinese shape and tone. The angklung Rindik is played by hitting the bamboo like a gamelan. Rindik Bali was originally Angklung Reog from Ponorogo who was brought by later Majapahit officials. 
Modern Angklung
Angklung sarinande only uses round tones (without chromatic tones) with a basic tone of C. The small unit of angklung sarinande contains 8 angklung (Low to High Do tones), while angklung sarinande plus contains 13 angklung (Low to High Sol until High mi).
Angklung arumba is a musical ensemble of various musical instruments made of bamboo. Angklung arumba was born around the 1960s in West Java, Indonesia, and is now a typical West Javanese musical instrument.
Angklung toel is a new innovation from conventional angklung which was already legendary. The difference between Angklung toel and the angklung that people have known so far lies in its placement. This angklung has a waist-high frame with several angklungs lined up upside down and given a rubber band.
Simply ‘touch’ (toel) the angklung according to the tone and the angklung will vibrate for a while because of the rubber.
Angklung sri murni was created from the idea of Eko Mursito Budi for the purposes of angklung robots. One angklung uses two or more sound tubes with the same tone, so that it will produce a pure tone (mono-tonal).
Simple idea, the robot can easily play a combination of several angklungs simultaneously to imitate the effects of melodic angklung and accompaniment angklung.